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For example, a submatrix taken from rows 2 through 4 and columns 3 through 4 can be written as: >> A ( 2 : 4 , 3 : 4 ) ans = 11 8 7 12 14 1 A square identity matrix of size n can be generated using the function eye , and matrices of any size with zeros or ones can be generated with the functions zeros and ones , respectively.
It provides a rich Excel-like user interface and its built-in vector programming language FPScript has a syntax similar to MATLAB. FreeMat, an open-source MATLAB-like environment with a GPL license. GNU Octave is a high-level language, primarily intended for numerical computations. It provides a convenient command-line interface for solving ...
Basic Linear Algebra Subprograms (BLAS) is a specification that prescribes a set of low-level routines for performing common linear algebra operations such as vector addition, scalar multiplication, dot products, linear combinations, and matrix multiplication.
(A preface note in “Examples" mentions that the main book was also published in 1985, but the official note in that book says 1986.) Supplemental editions followed with code in Pascal, BASIC, and C. Numerical Recipes took, from the start, an opinionated editorial position at odds with the conventional wisdom of the numerical analysis community:
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In 1998, Schelter obtained permission to release Maxima as open-source software under the GNU General Public license and the source code was released later that year. Since his death in 2001, a group of Maxima enthusiasts have continued to provide technical support.
BASIC (Beginners' All-purpose Symbolic Instruction Code) [1] is a family of general-purpose, high-level programming languages designed for ease of use. The original version was created by John G. Kemeny and Thomas E. Kurtz at Dartmouth College in 1963.
Function calls and blocks of code, such as code contained within a loop, are often replaced by a one-line natural language sentence. Depending on the writer, pseudocode may therefore vary widely in style, from a near-exact imitation of a real programming language at one extreme, to a description approaching formatted prose at the other.