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Brownhills alphabet plate, Aesop's Fables series, The Fox and the Grapes c. 1880. Sharpe's limerick versions of Aesop's fables appeared in 1887. This was in a magnificently hand-produced Arts and Crafts Movement edition, The Baby's Own Aesop: being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. [94]
The Honest Woodcutter, also known as Mercury and the Woodman and The Golden Axe, is one of Aesop's Fables, numbered 173 in the Perry Index. It serves as a cautionary tale on the need for cultivating honesty, even at the price of self-interest. It is also classified as Aarne-Thompson 729: The Axe falls into the Stream. [2]
This are a list of those fables attributed to the ancient Greek storyteller, Aesop, or stories about him, which have been in many Wikipedia articles. Many hundreds of others have been collected his creation of fables over the centuries, as described on the Aesopica website. [1]
The family welcomes the frozen snake, a woodcut by Ernest Griset. The Farmer and the Viper is one of Aesop's Fables, numbered 176 in the Perry Index. [1] It has the moral that kindness to evil will be met by betrayal and is the source of the idiom "to nourish a viper in one's bosom".
Two more, a setting for three children's voices by Henri Maréchal (Paris, 1900) and for four male voices by Jules Pajot, (Lyon, 1910), precede the more ambitious Eh bien ! Dansez maintenant (2006) by Vladimir Cosma , in which the fable is the final piece in a light-hearted interpretation for narrator and orchestra, in this case in the style of ...
A New Comprehensive Dictionary of the Bible: 1922 Selah Merrill [54] The Popular and Critical Bible Encyclopaedia and Scriptural Dictionary: 1922 Samuel Fallows [55] Theological Word Book of the Bible: 1951 Alan Richardson: Harper's Bible Dictionary: 1952 Madeleine S. and J. Lane Miller The New Bible Dictionary: 1962 J. D. Douglas
The moral drawn from the fable by Babrius was that "Brotherly love is the greatest good in life and often lifts the humble higher". In his emblem book Hecatomgraphie (1540), Gilles Corrozet reflected on it that if there can be friendship among strangers, it is even more of a necessity among family members. [4]
The fable was also included in Edward Hughes' Songs from Aesop's fables for children's voices and piano (1965), as the second of Anthony Plog's set for narrator, piano and horn (1989/93) [18] and among the fables set by Yvonne Gillespie for narrator and full orchestra (2001).
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