Search results
Results from the WOW.Com Content Network
In general, frequency components of a sound determine its "color", its timbre. When speaking about the frequency (in singular) of a sound, it means the property that most determines its pitch. [6] Higher pitches have higher frequency, and lower pitches are lower frequency. The frequencies an ear can hear are limited to a specific range of ...
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording .
The selection of the sample rate was based primarily on the need to reproduce the audible frequency range of 20–20,000 Hz (20 kHz). The Nyquist–Shannon sampling theorem states that a sampling rate of more than twice the maximum frequency of the signal to be recorded is needed, resulting in a required rate of greater than 40 kHz.
Signal sampling representation. The continuous signal S(t) is represented with a green colored line while the discrete samples are indicated by the blue vertical lines. In signal processing, sampling is the reduction of a continuous-time signal to a discrete-time signal. A common example is the conversion of a sound wave to a
A long-range acoustic device (LRAD), acoustic hailing device (AHD) or sound cannon is a specialized loudspeaker that produces sound at high power for communicating at a distance. It has been used as a method of crowd control , which has caused permanent hearing damage, having an extremely high decibel capacity (up to 160 dB measured at one ...
Digital audio is a representation of sound recorded in, or converted into, digital form. In digital audio, the sound wave of the audio signal is typically encoded as numerical samples in a continuous sequence. For example, in CD audio, samples are taken 44,100 times per second, each with 16-bit resolution.
Sampled systems may have samples of organ pipe sound for each individual note, or may use only one or a few samples which are then frequency-shifted to generate the equivalent of a 61-note pipe rank. Some digital organs like Walker Technical and the very costly Marshall & Ogletree organs use longer samples for additional realism, rather than ...
The frequency range often specified for audio components is between 20 Hz to 20 kHz, which broadly reflects the human hearing range (the highest audible frequency for most people is less than 20 kHz, with 16 kHz being more typical [4]). Components with 'flat' frequency responses are often described as being linear.