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It accumulated three weeks at number one. The second single was "All I Want", and was released on November 24. The video continued the story of the first single video and was available on Staind's Myspace on December 12. In Europe the second single was "The Way I Am", and its video was available on the official Staind website as of December 24.
Staind (/ s t eɪ n d / STAYND) is an American rock band from Springfield, Massachusetts, formed in 1995. The original lineup consisted of lead vocalist and rhythm guitarist Aaron Lewis, lead guitarist Mike Mushok, bassist and backing vocalist Johnny April, and drummer Jon Wysocki. The lineup has been stable outside of the 2011 departure of ...
Town Line is the first EP by American rock musician Aaron Lewis, and is his first solo release.An extended play consisting of country songs, it was released on March 1, 2011, on Stroudavarious Records. [4]
Aaron Lewis (born April 13, 1972) is an American musician who is best known as the lead vocalist, rhythm guitarist and founding member of the alternative metal band Staind, with whom he released seven studio albums.
It should only contain pages that are Staind songs or lists of Staind songs, as well as subcategories containing those things (themselves set categories).
14 Shades of Grey is the fourth studio album by American rock band Staind, released on May 20, 2003.The album continues the post-grunge sound as seen on the band's previous album Break the Cycle, but the songs on 14 Shades of Grey have fewer pop hooks, focusing more on frontman Aaron Lewis's emotions. [3]
A music video was released for the original live performance of the song which, on its release, had frequent play on MTV2. The studio-recorded electric version of the song had a music video as well. It was directed by Nigel Dick and was filmed at the Paramount Hotel (then known as the Hippodrome) in October 2001. [ 6 ]
Staind's vocalist, Aaron Lewis, has stated he feels that, "Dysfunction was a huge step away from Tormented."[8] Guitarist Mike Mushok expressed frustration in how label personnel were in no way intrusive on the production of Dysfunction, but after it sold over a million copies, the band would be relentlessly hassled during the production of future albums. [9]