Search results
Results from the WOW.Com Content Network
Music is an integral part of Mongolian culture. Among the unique contributions of Mongolia to the world's musical culture are the long songs, overtone singing and morin khuur, the horse-headed fiddle.
Among the unique contributions of Mongolia to the world's musical culture are the long songs, overtone singing and morin khuur, the horse-headed fiddle.
4 Hours Of Traditional Mongolian Music - (16 songs) [ Subscribe for more videos ] https://bit.ly/3ts7fnw [ Support the channel ] Paypal: https://bit.ly/3cy...
Traditional Mongolian music displays great internal diversity determined by different influences, formal criterions, musical instruments, vocal styles and most of all by ethnic origin.
Dear friends, Please consider supporting me on my Patreon / batzorigvaanchig so I can continue to make beautiful music 🎼 for you and show your my beautiful Mongolia Batzorig Vaanchig |...
One of the most unique contributions Mongolia has given to the world is traditional Mongolian music. The centuries-old music styles that are ubiquitous to our nation are overtone singing, the long song, and morin khuur – the symbol of Mongolia.
UNESCO has identified two elements of traditional Mongolian music as being "Masterpieces of the Oral and Intangible Heritage of Humanity." They are the urtyn duu , or long song, and the morin-khuur , or horse violin, and both are featured here.
Odes to nature, horses and the open steppe are popular themes of traditional Mongolian music. Long songs, as the name suggest have lasted a long time and are loved by Mongolians.
The Mongolian long song folk music tradition has ties to other national traditions and customs, including Mongolian history, culture, aesthetics, ethics and philosophy. The main feature of the long song is the shuranhai (prolonged, tenuto notes with deeply modulated vibrato on the vowels).
You can read about Mongolian music on the UNESCO Intangible Cultural Heritage website. Famous Mongolian music artists who helped familiarize international listeners with these techniques are The Hu (“Human” in Mongol), Altan Urag, and Enkh Jargal.