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The embroidery techniques, such as buttonhole stitch and cut-pile embroidery, are often simple, but their intricate effects are a result of the skill-level and final pattern design used. For example, hemmed appliqué is a simple technique still used today where raphia cloth pieces are cut into designs and sewn onto the base fabric.
The intricate designs are of cultural significance and the embroidery is admired in the art world. Thats why it is regarded as one of the most significant forms of African textile art. Kuba cloth can be found in private collections as well as museums all over the world. Women, typically pregnant women, are responsible for the embroidery.
Because it is usually made by women, patterns and themes of the Adire are passed down from mother to daughter within families. However, certain motifs can depend on the artist's abilities and craftmanship, as well as skills taught from older generations. The patterns of Adire are often representations of plants, animals, tools, and conceptual ...
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
Different regions of Balochi tribes have their own distinct needlework designs. [7] This craft has traditionally been created only by women, and has been passed down through the generations. [ 5 ] [ 8 ] [ 7 ] The stitching designs and patterning hold meaning; common motifs include arrows, "chicken feet", diamonds, and flowers. [ 7 ]
Motifs may be varied or rotated for contrast and variety, or to create new shapes, as with quilt blocks in quilts and quilting. Contrast with motif-less crazy quilting. Motifs can be any size, but usually all the motifs in any given work are the same size. The patterns and stitches used in a motif may vary greatly, but there is almost always ...
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