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Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [245]
News of Troy's fall quickly reached the Achaean kingdoms through phryctoria, a semaphore system used in ancient Greece. A fire signal lit at Troy was seen at Lemnos, relayed to Athos, then to the look-out towers of Macistus on Euboea, across the Euripus straight to Messapion, then to Mount Cithaeron, Mount Aegiplanctus and finally to Mount Arachneus, where it was seen by the people of Mycenae ...
The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
Bacchus/ Dionysus returning from ancient India. A legendary account states that when the Greek God Bacchus/Dionysus grew up, he discovered the culture of the vine and the mode of extracting its precious juice, being the first to do so; [1] but Hera struck him with madness, and drove him forth a wanderer through various parts of the earth.
In addition, Dionysus is known as Lyaeus ("he who unties") as a god of relaxation and freedom from worry and as Oeneus, he is the god of the wine press. In the Greek pantheon, Dionysus (along with Zeus) absorbs the role of Sabazios, a Phrygian deity. In the Roman pantheon, Sabazius became an alternate name for Bacchus. [14]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
The ability to enter the realm of the dead while still alive, and to return, is proof of the classical hero's exceptional status as more than mortal. A deity who returns from the underworld demonstrates eschatological themes such as the cyclical nature of time and existence, or the defeat of death and the possibility of immortality. [2]
The nymphs raised him on Nysa until he left for Greece to collect a cult of misfits and those looking for an escape from societal expectations. [6] Lycurgus wished to persecute Dionysus for spreading his cult on Mount Nysa, forcing Dionysus and his followers to jump into the sea and shelter with Thetis. Lycurgus's actions inspired Dionysus and ...