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C. C.I.Ape; Canary Black; Carter (film) Central Intelligence; Charlie Wilson's War (film) The Cold Light of Day (2012 film) Collateral Damage (2002 film)
Allan James Francovich (March 23, 1941 – April 17, 1997) [1] was an American film maker. He is best known for creating a number of films critical of the Central Intelligence Agency (CIA), linking them to terrorist attacks during the Cold War in Africa, South America and Europe.
Theaters of War is a 2022 American documentary film that probes the influence of the Pentagon and CIA in shaping Hollywood and television scripts. The film examines a trove of internal state documents in addition to interviewing academics, government officials, veterans, and industry players like Oliver Stone.
Jonathan calls the CIA for help, telling them about Sasha and the film. Temporarily arrested for ramming a car, Jonathan returns the next morning to find his apartment broken into and looted. The CIA tells Jonathan to bring them the film canister. At the CIA's Los Angeles headquarters, Jonathan is surprised to find Sasha working there.
The spy film, also known as the spy thriller, is a genre of film that deals with the subject of fictional espionage, either in a realistic way (such as the adaptations of John le Carré) or as a basis for fantasy (such as many James Bond films).
Sold for: $2.1 million Nuclear apocalypse be damned! The survival enthusiast that sold this made sure it would be ready to rock against any sort of world-ending chaos.
The Spymasters: CIA In the Crosshairs is a 2015 documentary film which covers the experience of the Central Intelligence Agency as seen through the eyes of the twelve living CIA directors, all of whom were interviewed for the film. [1]
Year Released: 2000 Rotten Tomatoes Rating: 2 percent Number of Reviews: 60 U.S. Box Office Gross: $5.3 million Critic quote: “The In Crowd isn't a movie, it's Gorgonzola, a crumbly summertime ...