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British WWII propaganda poster during the Battle of Britain. During the Phoney War, the book Why Britain is at War sold a hundred thousand copies. [7]: 38 In 1940 in particular, Winston Churchill made many calls for the British to fight on, and for British units to fight until they died rather than submit. [10]
Images of the Army: The Military in British Art 1815–1914. Manchester: University Press. Knott, Richard, The Sketchbook War. The History Press, 2013. Sillars, Stuart (1987). Art and Survival in First World War Britain. Basingstoke: Macmillan. Holme, Charles. The war depicted by distinguished British artists (The Studio Ltd., 1918).
Wartime paper salvage propaganda poster Paper Salvage was a part of a programme launched by the British Government in 1939 at the outbreak of the Second World War to encourage the recycling of materials to aid the war effort, and which continued to be promoted until 1950.
Original 1939 poster. Keep Calm and Carry On was a motivational poster produced by the Government of the United Kingdom in 1939 in preparation for World War II.The poster was intended to raise the morale of the British public, threatened with widely predicted mass air attacks on major cities.
One of a series of Ministry of Information propaganda posters, comparing industrial workers to members of the armed forces. This one paraphrases Lord Nelson's famous signal; "England expects that every man will do his duty". This is a Timeline of the United Kingdom home front during World War II covering Britain 1939–45.
British World War II propaganda films (1 C, 60 P) Pages in category "British propaganda during World War II" The following 4 pages are in this category, out of 4 total.
Propaganda in War, 1939–1945: Organisations, Policies and Publics in Britain and Germany (2011). Beaven, Brad, and John Griffiths. "The blitz, civilian morale and the city: mass-observation and working-class culture in Britain, 1940–41." Urban History 26#1 (1999): 71-88. Fox, Jo. Film propaganda in Britain and Nazi Germany: World War II ...
Original copies of the poster are rare compared to official PRC posters that were produced in up to a hundred thousand copies. The IWM, established in 1917, did not receive a copy for its collection until the 1950s. Leete's original artwork for the magazine cover version was exhibited alongside war posters in 1919 and donated to the IWM.
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