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"Kurai Onrum Illai" (Tamil: குறை ஒன்றும் இல்லை, meaning No grievances have I) is a Tamil devotional song written by C. Rajagopalachari. [1] The song set in Carnatic music was written in gratitude to Hindu God ( Venkateswara and Krishna visualised as one) and compassionate mother.
The Tirumurukāṟṟuppaṭai is not only a part of the Sangam literature, it is also part of another Tamil textual canon, as the eleventh of twelve Tirumuṟai. The twelve Tirumurais (books) are the devotional Tamil corpus in the Hindu Shaiva tradition in Tamil Nadu.
A Bhajan in Hindu traditions is an informal, loosely structured devotional song with music in a regional language. [19] They are found all over India and Nepal, but are particularly popular among the Vaishnav traditions such as those driven by devotion to avatars of Vishnu such as Krishna , Rama , Vitthal and Narayana (often with their consorts).
In addition to the above composers, various Bhakti saints of medieval India also composed devotional hymns, verses and songs. First six composer used ancient Tamil music [pannicai] which later evolved to the Carnatic musical tradition over the centuries. [citation needed] Karaikkal Ammeiyar (7th century) Thirunavukkarasar (7th century)
Thiruvasagam (Tamil: திருவாசகம், romanized: tiruvācakam, lit. 'sacred sayings') is a volume of Tamil hymns composed by the ninth century Shaivite bhakti poet Manikkavasagar. It contains 51 compositions and constitutes the eighth volume of the Tirumurai, the sacred anthology of the Tamil Shaiva Siddhanta.
Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century.
Late Chola, Tamil Nadu. Vinayagar Agaval is a devotional poetic hymn to the Hindu deity Ganesha. It was written in the 10th century during the Chola dynasty by the Tamil poet Avvaiyar, shortly before her death. [1] It is considered to be her greatest poem. [2] The 72-line 'Agaval' is a form of blank verse, close to speech.
The Paripatal manuscripts suggest that it was not purely an abstract literary work, rather a guide for devotional songs to be sung. The poems also mention temples and shrines, thereby suggesting that the Tamil people had already built temples for Vishnu and Murugan in the Sangam era. [ 12 ]