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Lines are marks moving in a space between two points whereby a viewer can visualize the stroke movement, direction, and intention based on how the line is oriented. [1] [2] Lines describe an outline, capable of producing texture according to their length and curve. [3]
A line's angle and its relationship to the frame's size influence the perspective of the image. Horizontal lines, commonly found in landscape photography, can give the impression of calm, tranquility, and space. An image filled with strong vertical lines tends to have the appearance of height and grandeur.
The vanishing point may also be referred to as the "direction point", as lines having the same directional vector, say D, will have the same vanishing point. Mathematically, let q ≡ ( x , y , f ) be a point lying on the image plane, where f is the focal length (of the camera associated with the image), and let v q ≡ ( x / h , y ...
Linear or point-projection perspective works by putting an imaginary flat plane that is close to an object under observation and directly facing an observer's eyes (i.e., the observer is on a normal, or perpendicular line to the plane). Then draw straight lines from every point in the object to the observer.
In comics and art more broadly, motion lines (also known as movement lines, action lines, speed lines, [1] or zip ribbons) are the abstract lines that appear behind a moving object or person, parallel to its direction of movement, to make it appear as if it is moving quickly.
Another use of line in graphics is the ability to help suggest a tone or feeling in a work. Vertical lines can be used to create a sense of strength or stability. An example of this could be a row of trees in a picture creating a series of vertical lines. Horizontal lines can be used to create a feeling of calm, peace or passiveness.
Hatching in parallel lines. Normally the lines follow the direction of the described plane. [1] Crosshatching Layers of hatching applied at different angles to create different textures and darker tones. At its simplest, a layer of linear hatching is laid over another layer at a 90° angle, to which further diagonal layers may be added.
The art of engraving has been practiced from the earliest ages. The prehistoric Aztec hatchet given to Alexander von Humboldt in Mexico was just as truly engraved as a modern copper-plate which may convey a design by John Flaxman; the Aztec engraving may be less sophisticated than the European, but it is the same art form.
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