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The term is less frequently used of art after the late nineteenth century, although the Expressionist and other modern movements make great use of the effect. Especially since the strong twentieth-century rise in the reputation of Caravaggio, in non-specialist use the term is mainly used for strong chiaroscuro effects such as his, or Rembrandt's.
Spanish art was particularly influenced by France and Italy during the Baroque and Neoclassical periods, but Spanish art has often had very distinctive characteristics, partly explained by the Moorish heritage in Spain (especially in Andalusia), and through the political and cultural climate in Spain during the Counter-Reformation and the ...
Lines can also derive from the borders of different colors or contrast, or sequences of discrete elements. Movement is also a source of lines, where the blurred movement renders as a line. [1] Subject lines contribute to both mood and linear perspective, giving the viewer the illusion of depth. Oblique lines convey a sense of movement, and ...
Casta (Spanish:) is a term which means "lineage" in Spanish and Portuguese and has historically been used as a racial and social identifier. In the context of the Spanish Empire in the Americas , the term also refers to a now-discredited 20th-century theoretical framework which postulated that colonial society operated under a hierarchical race ...
He described sfumato as "without lines or borders, in the manner of smoke". [ 1 ] According to the theory of the art historian Marcia B. Hall , [ 2 ] which has gained considerable acceptance, [ 3 ] sfumato is one of four modes of painting colours available to Italian High Renaissance painters, along with cangiante , chiaroscuro , and unione .
Spanish Baroque portraits distinguish themselves from those of other schools by their severity; their raw portrayal of the soul of the subject; by the certain scepticism and fatalism they show towards life; and by the use of naturalism in the portrayal of the subject's features, far from the classicism generally defended by theorists. [11]
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A shape is a two-dimensional design encased by lines to signify its height and width structure, and can have different values of color used within it to make it appear three-dimensional. [ 2 ] [ 4 ] In animation, shapes are used to give a character a distinct personality and features, with the animator manipulating the shapes to provide new ...