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Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South . As a genre, it blends the sound of Western musical styles such as country with that of rhythm and blues , [ 1 ] [ 2 ] leading to what is considered "classic" rock and roll. [ 3 ]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
Although they are used occasionally in classical music, typically in an educational setting for harmonic analysis, these names and symbols are "universally used in jazz and popular music", [1] in lead sheets, fake books, and chord charts, to specify the chords that make up the chord progression of a song or other piece of music. A typical ...
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [ 14 ]
Red Hot 'N' Rockabilly: Charly 1979 Still Crazy: Crazy Rhythm Re-released in 1981 as Mr. Cool by Charly 1981 Cool and Crazy Rock-a-billy: Big Beat/Polarvox 1981 Teddy Jive: Charly 1982 Hey Teenager! Big Beat 1983 Live at Pickett's Lock: Charly Reissued on CD in 2003 by Teddy Boy Power 1984 Rollin' Through The Night: Big Beat/Virgin
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