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Sol Invictus (Classical Latin: [ˈsoːɫ ɪnˈwɪktʊs], "Invincible Sun" or "Unconquered Sun") was the official sun god of the late Roman Empire and a later version of the god Sol. The emperor Aurelian revived his cult in 274 AD and promoted Sol Invictus as the chief god of the empire.
Tản Viên Sơn Thánh (Chữ Hán: 傘圓山聖, 304 BCE - ?), or Sơn Tinh (山精) is one of The Four Immortals in traditional Vietnamese mythology.He is the god of Ba Vì mountain range [2] and figures also in the romance of Sơn Tinh - Thủy Tinh ("the God of the Mountain and the God of the Water").
Articles relating to Sol Invictus, ("Unconquered Sun"), the official sun god of the later Roman Empire and a patron of soldiers. Subcategories This category has only the following subcategory.
Chương (trong vở Ngôi nhà Ma); Diệp Băng Đình (Thuyền ra cửa biển); Dương Thiết Tâm (Anh hùng xạ điêu); Tang Xuanzong (Love story of An Lộc Sơn); Dũng (Đoạn Tuyệt)
Sol Invictus is a Roman god identified with Sol (the solar deity in Ancient Roman religion). Sol Invictus may also refer to: Sol Invictus (band), an English neofolk band; Sol Invictus, a 2015 album by Faith No More; Sol Invictus (Akhenaton album) , 2001; Sol Invictus (holiday), a religious holiday celebrated in ancient Rome
Đông Hồ painting depicts Phù Đổng Thiên Vương Statue of little Thánh Gióng at Phù Đổng Six-Way Intersection, Ho Chi Minh City. Thánh Gióng (chữ Nôm: 聖揀), [1] also known as Phù Đổng Thiên Vương (chữ Hán: 扶董天王, Heavenly Prince of Phù Đổng), Sóc Thiên Vương (chữ Hán: 朔天王), Ông Gióng (翁揀, sir Gióng) [2] [3] and Xung Thiên Thần ...
In July 1838, a demoted governor attempting to win back his place did so successfully by capturing the priest Father Dang Dinh Vien in Yen Dung, Bac Ninh province. (Vien was executed). In 1839, the same official captured two more priests: Father Dinh Viet Du and Father Nguyen Van Xuyen (also both executed).
It combines the first Sol Invictus release, the mini-LP Against the Modern World, with the second release, the live album In the Jaws of the Serpent, onto one CD. The music of this release is dark, rough, and primitive, and counts among the earliest efforts of the post-industrial neofolk music scene. It is one of Sol Invictus releases where ...