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Heian-period court clothing paid special attention to colour symbolism, with the layered colour combinations of women's clothing known as kasane no irome. [2] These colour combinations, referred to by names that reflected their corresponding season of wear, did not faithfully reproduce the exact colours of nature, but were instead intended to ...
The same connection can be drawn between men and the potential for limitations associated with the color blue in western society. Oftentimes men are marketed clothing and products that are associated with their socially acceptable color scheme of various blues, greens, and dark tones; this is something that can be observed in advertising as ...
Since men's kimono are usually fairly subdued in pattern and colour, the nagajuban allows for discreetly wearing very striking designs and colours. [6]: 32–46 Nemaki A unisex cotton robe resembling a yukata, but with tube-shaped sleeves. Nemaki are commonly given as guest clothing at inns, and are worn as sleepwear.
The characteristic of this robe is the Arabic pattern on the robe and its dark red or dark red color. [3] This robe is equipped with a long cloth in the form of a shawl. Usually this cloth is worn by slinging it over the right shoulder sideways. The bottom part of this clothing is trousers with a color that matches the color of the top worn.
The traditional clothing for the lower region is the khat partug which is a shalwar kameez combination and is worn by men and women. The khat (also called khattaki or in Marwat Pashtu, kamis) [1] is the shirt which fits closely to the body to the waist and then flares out, either to the knees, or in the case of women, to the ankles.
The upper classes wore a variety of colors, though bright colors were generally worn by children and girls and subdued colors by middle-aged men and women. Commoners were restricted by law to everyday clothes of white, but for special occasions they wore dull shades of pale pink, light green, gray, and charcoal.
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