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Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism , the Counter Reformation and Catholic Revival, [ 1 ] [ 2 ] but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. [1] [2] [3]
Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art was a very prominent part of the Baroque art in painting, sculpture and other media, made in a period extending from the end of the sixteenth to the mid eighteenth centuries. [1]
Building Picture Location Date Architect(s) St Peter's Basilica: Vatican City: 1506–1615 Michelangelo, Giacomo della Porta, Carlo Maderno: Urbanistic complex of the city of Valletta
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
This, his most famous painting, is a triumph of illusionism for the centre of the ceiling appears open to the sky and the figures seen from below appear to come down into the room as well as soar out of it”. [2] Stucco became one of the overall key characteristics of Baroque interiors, enhancing wall spaces, niches, and ceilings.
The church of St. Joseph is considered as one of the most representative buildings of the early Lombard Baroque, as well as one of Richini's masterpieces: [45] the church represents the point of detachment from mannerist architecture, and also served as a prototype for Baroque churches in the use of the longitudinal plan, especially in northern ...
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