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In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
Orchestral jazz or symphonic jazz is a form of jazz that developed in New York City in the 1920s. Early innovators of the genre, such as Fletcher Henderson and Duke Ellington , include some of the most highly regarded musicians, composers, and arrangers in all of jazz history. [ 1 ]
Because an unamplified double bass is generally the quietest instrument in a jazz band, [citation needed] many players of the 1920s and 1930s used the slap style, slapping and pulling the strings to make a rhythmic slap sound against the fingerboard. The slap style cuts through the sound of a band better than simply plucking the strings, and ...
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
The instruments used by marching bands and dance bands became the instruments of jazz: brass, drums, and reeds tuned in the European 12-tone scale. Small bands contained a combination of self-taught and formally educated musicians, many from the funeral procession tradition.
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band") fostered ...
Violin became a solo instrument in jazz largely through the efforts of Stuff Smith, Eddie South, Stephane Grappelli, and Joe Venuti. [1] [2] Venuti was in a popular duo with guitarist Eddie Lang beginning in the 1920s. [1] [2] Grappelli was a member of the gypsy jazz group Quintette du Hot Club de France with guitarist Django Reinhardt.