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Mark Kistler's Imagination Station is a public television series where artist Mark Kistler taught children and adults to draw using techniques such as perspective and shading. The program was originally presented by TV station KIXE in the Redding and Chico areas of the U.S. state of California .
The first high-profile trial she covered was the 1984 drug trafficking trial of John DeLorean for Los Angeles-based channel KABC-TV. [2] Later that year Williams returned to her native New York and began working as a courtroom artist in New York City. [10] While in New York City, Williams gained a reputation for reporting on white-collar crime. [1]
[3] [6] [8] CNN declined to buy the sketch, but Rosenberg successfully sold it to NBC, which aired the image on the evening news. The 1980 sale began Rosenberg's career as a courtroom artist. [6] Rosenberg, who has now worked as a courtroom sketch artist for more than 40 years, lives in the Upper West Side of Manhattan, near Columbia University.
In a video leaked on social media in August, a young man is seen being forced to kill his four friends after they were kidnapped by a drug cartel in the western state of Jalisco. The men were ...
El Chapo’s Sinaloa cartel, born out of the Guadalajara cartel in the late 1980s, started out moving cocaine up from producers in Colombia, Bolivia and Peru to Mexico and over the border into the ...
Drug traffickers have used bright colors in their products for years “to distinguish their products from other products on the street,” Dr. Sheila Vakharia, the head of research for the Drug ...
Stopping short at 400,000 on his 18th birthday re-set his goal to hit the million mark at 21 and continued teaching hundreds of kids at schools. In 1983 wanting to address the lack of drawing specific how-to-videos in art stores he began to approach video production companies to create a drawing program to make drawing accessible.
Drug cinema ranges from gritty social realism depictions to the utterly surreal depictions in art film and experimental film. Some filmmakers create unabashedly pro- or anti-drug works, while others are less judgmental, allowing the viewer to draw their own conclusions.