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The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy.It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro.
Compared to the Renaissance architecture of other Italian cities, in Venice there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than ...
The Lagoon of Saint Mark, Venice is an oil on canvas painting by Paul Signac. This painting focuses on a seascape image which became a common theme late in Signac's life. Paul Signac (1863–1935) was one of the most influential Neo-Impressionist painters of his time.
The rest of Italy tended to ignore or underestimate Venetian painting; Giorgio Vasari's neglect of the school in the first edition of his Lives of the Most Excellent Painters, Sculptors, and Architects in 1550 was so conspicuous that he realized he needed to visit Venice for extra material in his second edition of 1568. [8]
Ca' Rezzonico (Italian pronunciation: [ˈka (r)retˈtsɔːniko]) is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy.It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista ...
Canaletto was inspired by the Roman vedutista Giovanni Paolo Pannini, and started painting the daily life of the city and its people. After returning from Rome in 1719, he began painting in his topographical style. [8] His first known signed and dated work is Architectural Capriccio (1723, Milan, in a private collection). [1]
St. Augustine in His Study (also called Vision of St. Augustine) is an oil and tempera on canvas painting by the Italian Renaissance artist Vittore Carpaccio housed in the Scuola di San Giorgio degli Schiavoni of Venice, northern Italy. The painting depicts St. Augustine while he has a vision while sitting in a large room filled with objects.
The painting is enclosed in a multi-coloured marble frame of the artist's own design which was commissioned by a Venetian noblewoman, Lise Querini, in 1559. [6] The conception and execution of the painting by Veronese would have coincided with the final sessions of the Council of Trent which published a series of decrees in 1564. These decrees ...
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