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"Alright" is a song by American rapper Kendrick Lamar featured on the artist's third studio album, To Pimp a Butterfly (2015). [1] The song expresses ideas of hope amid personal struggles and features uncredited vocals in its chorus from co-producer Pharrell Williams.
This album was recorded in November 2019, during Bareilles' first performance at the Hollywood Bowl and was released to coincide with a livestream concert event where she performed there again without an audience, due to the COVID-19 pandemic. [1] The album was originally slated to be released in 2020, but was delayed due to the pandemic. [2]
It was the band's first official live recording. A remixed, remastered, and expanded version of the album, retitled Live at the Hollywood Bowl, was released on 9 September 2016, on CD for the first time, to coincide with the release of the documentary film The Beatles: Eight Days a Week, directed by Ron Howard. [2] [3]
Best Hip Hop Style Nominated Best Live Performer Nominated Hustler of the Year Nominated MVP of the Year Won Good Kid, M.A.A.D City: Hip Hop Album of the Year: Won "Poetic Justice" (featuring Drake) Best Collaboration, Duo or Group Nominated "Fuckin' Problems" (ASAP Rocky featuring Drake, 2 Chainz and Kendrick Lamar) Won Best Hip Hop Video ...
Live at the Hollywood Bowl is the third official live album by the American rock band the Doors, released in May 1987 by Elektra Records. The concert was recorded on July 5, 1968, at the Hollywood Bowl in Los Angeles, the Doors' hometown. A VHS video of the concert was also released, containing 14 songs.
Stephen Lovekin/Shutterstock The bright side. Dolly Parton has somewhat of a thing for butterflies. They’re on her Scent From Above perfume bottle, in the titles of her songs and, apparently, on ...
Thundercat, who appears on six of the album's tracks, was unaware of Untitled Unmastered until "maybe a day before" its release. [3]In December 2014, while preparing for the release of his third album To Pimp a Butterfly (2015), Lamar performed an unreleased, untitled track as a musical guest on an episode of The Colbert Report. [4]
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