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Italic script, also known as chancery cursive and Italic hand, is a semi-cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. It is one of the most popular styles used in contemporary Western calligraphy.
He was employed as a scribe at the Apostolic Chancery in 1513. His experience in calligraphy led him to create an influential pamphlet on handwriting in 1522 called La Operina, which was the first book devoted to writing the italic script known as chancery cursive. [2] This work, a 32-page woodblock printing, was the first of several such ...
The Italian scribe Ludovico Vicentino degli Arrighi's 1522 influential pamphlet on handwriting called La Operina was the first book on writing the italic script known as cursive chancery hand. [6] He was a scribe in the Papal Curia , which had refined cursive chancery hand in its infancy during the latter half of the 15th century. [ 4 ]
Calligraphic writing of the word "Rotunda" in the Italian script of same name. A 1570s rotunda typeface cut by Hendrik van den Keere for printer Christophe Plantin. The Rotunda is a specific medieval blackletter script. It originates in Carolingian minuscule. Sometimes, it is not considered a blackletter script, but a script on its own.
A more thorough reform of handwriting than the Petrarchan compromise was in the offing. The generator of the new style (illustration) was Poggio Bracciolini, a tireless pursuer of ancient manuscripts, who developed the new humanist script in the first decade of the 15th century.
Tagliente published a writing manual, The True Art of Excellent Writing or Lo presente libro, in Venice in 1524, with engravings and some text set in an italic typeface presumably based on his calligraphy. [15] [16] [17]
Calligrafismo (Italian: [kalligraˈfizmo]; lit. ' caligraphism ') is an Italian style of filmmaking relating to some films made in Italy in the first half of the 1940s and endowed with an expressive complexity that isolates them from the general context.
The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time.
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