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The episode is noted for exploring Sisko's interest in baseball and its humour. [15] [16] In 2016, The Hollywood Reporter ranked "Take Me Out to the Holosuite" as the 61st best episode of all Star Trek episodes, [17] and the 16th best of Star Trek: Deep Space Nine. [8] In 2016, Vox rated this one of the top 25 essential episodes of all Star ...
This episode centers on a holosuite, a fictional technology that uses holograms to create immersive simulated environments. In this episode, the young Ensign Nog , suffering from post-traumatic stress disorder and phantom pain following the loss of his leg in the earlier episode " The Siege of AR-558 ", copes by retreating from the world to ...
This episode centers on a holosuite, a fictional technology that uses holograms to create immersive simulated environments. In this episode, in a holosuite simulation of 1960s Las Vegas, lounge singer Vic Fontaine (James Darren) loses his job, and the crew of Deep Space Nine must stage a heist to restore the holosuite program to the way it was ...
10th episode of the 4th season of Star Trek: Deep Space Nine "Our Man Bashir" Star Trek: Deep Space Nine episode Episode no. Season 4 Episode 10 Directed by Winrich Kolbe Story by Robert Gillan Teleplay by Ronald D. Moore Featured music Jay Chattaway Production code 482 Original air date November 27, 1995 (1995-11-27) Guest appearances Andrew J. Robinson as Garak Kenneth Marshall as Michael ...
In 2018, SyFy recommend this episode for its abbreviated watch guide focusing on Kira, [8] and in 2019, Tor.com noted this as an "essential" episode for the character of Odo, describing it as the best episode featuring Odo and Kira's love story arc. [9] In 2016, The Hollywood Reporter rated "His Way" the 93rd best episode of all Star Trek ...
Vic Fontaine is a fictional character who appeared in the sixth and seventh seasons of the American science fiction television series Star Trek: Deep Space Nine.Portrayed by James Darren, he is a holographic representation of a 1960s-era Las Vegas Rat Pack–style singer and entertainer, as part of a program run in the holosuites at Quark's bar.
The episode's title is a paraphrase from Cicero's Pro Milone, Latin for "In times of war, the law falls silent," and is a line spoken in the episode. [3] The scenes filmed on the Federation starship USS Bellerophon were the sets of the USS Voyager used for Star Trek: Voyager, both ships being Intrepid-class. [4] [5]
In their 2003 book Beyond the Final Frontier, Mark Jones and Lance Parkin say that Alexander Siddig and Faith Salie's performances as Bashir and Sarina in this episode give depth to "a pretty unpromising story", and describe the episode as one of the better Star Trek romances. [4] Keith R. A. DeCandido of Tor.com gave the episode 6 out of 10. [1]