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The Doors. Jim Morrison – vocals, Moog synthesizer on "Strange Days" [4] Ray Manzarek – keyboards, marimba; Robby Krieger – guitar; John Densmore – drums; Additional musicians. Doug Lubahn – bass guitar (except on "Unhappy Girl", "Horse Latitudes" and "When the Music's Over") [44] Paul Beaver – Moog synthesizer programming on ...
A VHS video of the concert was also released, containing 14 songs. The full version of the concert, entitled Live at the Bowl '68 , was released in October 2012 on CD, LP and Blu-ray Disc. A shortened version of the concert is on The Doors - 30 Years Commemorative Edition DVD.
Live in New York is a six-disc box set of four complete concerts performed American rock band the Doors on January 17 and 18, 1970 at the Felt Forum in New York City. [3] Two shows were played each night, with 8:00pm and 11:00pm scheduled start times on January 17, and 7:30pm and 10:00pm scheduled start times on January 18.
Download QR code; Print/export ... (Doors song) The End (The Doors song) ... The Ghost Song (Doors song) H. Hello, I Love You; Horse Latitudes (song) Hyacinth House ...
The Doors is the debut studio album by the American rock band the Doors, released on January 4, 1967, by Elektra Records. It was recorded in August and September 1966 at Sunset Sound Recorders , in Hollywood, California, under the production of Paul A. Rothchild .
The Doors Collection is a music video compilation by the American rock band the Doors, released on Laserdisc and DVD in 1995 and 1999, respectively. It compiles three films previously released on VHS by MCA/Universal Home Video: Dance on Fire (1985), Live at the Hollywood Bowl (1987) and The Soft Parade – A Retrospective (1991).
The DVD/Blu-Ray Disc of the concert includes This is the End a 18-minute film containing interviews with Doors' guitarist Robby Krieger, drummer John Densmore, concert director Murray Lerner, and original Doors manager Bill Siddons. A 2002 interview recorded with Ray Manzarek, the Doors keyboardist who died in 2013, is also included. [9]
The Doors' producer and longtime collaborator Paul A. Rothchild claimed to have painstakingly edited the album from many different shows to create one cohesive concert. According to Rothchild, the best part of a song from one performance may have been spliced together with another part of the same song from another performance, in an attempt to ...