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The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving ...
Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin.
Columbine (Italian: Colombina; French: Colombine; [2] lit. ' little dove ' ) is a stock character in the commedia dell'arte . [ 3 ] She is Harlequin 's mistress, [ 3 ] a comic servant playing the tricky slave type, and wife of Pierrot .
Pierrot (/ ˈ p ɪər oʊ / PEER-oh, US also / ˈ p iː ə r oʊ, ˌ p iː ə ˈ r oʊ / PEE-ə-roh, PEE-ə-ROH; French: ⓘ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne.
Nadar: Charles Deburau as Pierrot, c. 1855. Jean-Charles Deburau (French pronunciation: [ʒɑ̃ ʃaʁl dəbyʁo]; February 15, 1829 – December 19, 1873) was an important French mime, the son and successor of the legendary Jean-Gaspard Deburau, who was immortalized as Baptiste the Pierrot in Marcel Carné's film Children of Paradise (1945).
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Pierrot was not Baptiste's only creation. As Robert Storey has pointed out, Deburau performed in many pantomimes unconnected with the commedia dell'arte: . He was probably the student-sailor Blanchot in Jack, l'orang-outang (1836), for example, and the farmhand Cruchon in Le Tonnelier et le somnambule ([The Cooper and the Sleepwalker] late 1838 or early 1839), and the goatherd Mazarillo in Fra ...
When, for example, a jealous Pierrot disguised in a cassock sneaked into the priest's side of the confessional in Pierrot confesseur (Pierrot-Confessor, 1892), a piece by Galipaux and Pontsevrez, what Hugounet called the "terrible representatives of the Censorship of the Cercle" appointed two auditors to make cuts in the libretto and so stave ...