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Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Cakalele dance (pronounced "cha-ka-leh-leh", spelled tjakalele by the Dutch) is a war dance from North and Central Maluku in Indonesia. [1] Hybrid versions also exist among the natives of Sulawesi (Kabasaran dance or Sakalele of the Minahasan), [2] East Nusa Tenggara (Abui Cakalele from Alor), [3] the Tanimbar Islands, [citation needed] and Fakfak ( Mbaham-Matta's Cakalele Mbreh). [4]
Poco-poco or Poco poco is a popular line dance from North Maluku province in Indonesia. The Poco-poco dance became popular in early 1998. In the beginning, the Poco-Poco dance was only an environment known for its emotional closeness with family, relatives, and relatives in North Maluku. This dance is accompanied by a song from North Maluku ...
Saman (or the dance of a thousand hands) is one of the most popular dances in Indonesia. Its origin is from the Gayo ethnic group from Gayo Lues, Aceh province, Indonesia, and is normally performed to celebrate important occasions. [1] The dance is characterized by its fast-paced rhythm and common harmony between dancers.
Sigalegale (Batak: ᯘᯪᯎᯞᯩᯎᯞᯩ ) is a wooden puppet used in a funeral dance performance of the Batak people in Samosir Island, Northern Sumatra.Sigale Gale is a well-known feature for visiting tourists.
Gending Sriwijaya is the name of the traditional performance whether it is a song, music, as well as dance that originated from Palembang, South Sumatra, Indonesia.Both of the song and the dance was created to describes the splendor, cultural refinement, glory and the grandeur of Srivijaya empire that once succeed on unifying the western parts of Indonesian archipelago and Malay world generally.
To do this, he spent twelve years studying the rural, festival dance music and the result was jaipongan. He also created his recording studio in Indonesia, called Jugala. Gugum Gumbira was born in 1945 in Bandung, Indonesia. He attended college in Bandung where he majored in social and political UNPAD.
Kecak (Balinese: ᬓᬾᬘᬓ᭄, romanized: kécak, pronounced "kechak"), alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s.