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This cadence, known as the "Duckworth Chant", still exists with variations in the different branches of the U.S. military. Duckworth's simple chant was elaborated on by Army drill sergeants and their trainees, and the practice of creating elaborate marching chants spread to the Air Force, Marine Corps, and Navy.
The "Marines' Hymn" is the official hymn of the United States Marine Corps, introduced by the first director of the USMC Band, Francesco Maria Scala.Its music originates from an 1867 work by Jacques Offenbach with the lyrics added by an anonymous author at an unknown time in the following years.
Oorah is a battle cry common in the United States Marine Corps since the mid-20th century. Several anecdotes attributed the phrase to John R. Massaro 's time as a gunnery sergeant in the Reconnaissance Company , 1st Marine Division , in the mid-1950s. [ 1 ]
The United States Marine Drum and Bugle Corps performing the Armed Forces Medley at the Friends of the National World War II Memorial.. The Armed Forces Medley, also known as the Armed Forces Salute is today recognized as a collection of the official marchpasts/songs of the 6 services of the United States Armed Forces: Army, Marine Corps, Navy, Air Force, Coast Guard, and Space Force. [1]
The official military version is played by a single bugle or trumpet, although other versions of the tune may be played in other contexts (e.g., the U.S. Marine Corps Ceremonial Music site has recordings of two bugle versions and one band version [3]). It is also performed often at Girl Guide, Girl Scout, and Boy Scout meetings and camps.
Sling arms: If the soldiers have a "sling" (strap) on their rifles, then this command can be called. The soldiers will loosen the sling so they can now have their rifles strapped around their shoulders. Unsling arms: Servicemen will unloosen the sling so they can now have their rifles at the port or high port position.
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"Semper Fidelis", written in 1888 by John Philip Sousa, is regarded as the official march of the United States Marine Corps. This piece was one of two composed in response to a request from United States President Chester A. Arthur for a new piece to be associated with the United States President.