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In the Variation de Nikiya (often referred to as the Scarf Duet) Ponomarev and Chabukiani changed the original staging of Petipa – originally, this variation called for Nikiya to perform her variation alone, with a long veil connected by wire to a fly-space above the stage, with the veil flying upward upon the final moments of the variation ...
Nikiya 1971 [70] La Bayadère: choreography Marius Petipa, revised by Rudolf Nureyev; music by Leon Minkus Nikiya Fonteyn performed the role on 13 January and 21 January 1971. [70] 1971 [12] Swan Lake: choreography Rudolph Nureyev, music by Tchaikovsky, arranged by John Lanchbery Odette-Odile Fonteyn danced on 1 June and 5 June 1971. [12] 1971 [65]
The Ballerina in Theme and Variations; Odette/Odile in Swan Lake; Manon in Manon; Sylph in La Sylphide; Manon in Lady of the Camellias; Tchaikovsky Pas de deux; Sugar Plum Fairy and Dewdrop in The Nutcracker; The Ballerina in Etudes; Aurora in The Sleeping Beauty; Ballerina in Other Dances; 3rd Movement in Symphony in C; Nikiya in La Bayadere ...
P. Tchaikovskiy, "Swan Lake" Act 2 Variation and Coda "Yesterday. Today. Tomorrow" (to the music of Max Richter) "Irina Kolesnikova invites..." As Gamazatti in "La Bayadere", with Irina Kolesnikova as Nikiya; Interview of Natalia Matsak to GolosUA dedicated to the 125th performance of "Viennese Waltz"
Nikāya (निकाय) is a Pāli word meaning "volume". It is often used like the Sanskrit word āgama (आगम) to mean "collection", "assemblage", "class" or "group" in both Pāḷi and Sanskrit. [1]
She was born Matilda Vazem in 1848 in Moscow, Russian Empire.She moved to Saint Petersburg, where In 1866, she was named the best student of the Imperial Theatre School (now the Mariinsky Ballet).
Before Preobrajenska's variation in the Pas de ruban of the first act, Kschessinskaya opened the doors to the chickens' coops, and at the first note of the music, the chickens went flying about the stage. Nevertheless, Preobrajenska continued her variation to the end and received a storm of applause, much to Kschessinskaya's chagrin.
Olga Chenchikova, her coach until 2007, ensured her success in classical ballet roles, for example with her personalized interpretation of Nikiya in La Bayadère. Since 2007, her coach has been Elvira Tarasova. [2] Kondaurova has also danced in several of George Balanchine's ballets including Symphony in C and Jewels (ballet). [1]