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Ev’ry valley shall be exalted: Air T: Isaiah 40:4: 4: And the glory, the glory of the Lord shall be revealed: Chorus: Isaiah 40:5: Scene 2: 5: Thus saith the Lord, the Lord of Hosts The Lord whom ye seek shall suddenly come to His temple: Acc. B: Haggai 2:6–7 Malachi 3:1: Haggai, splendor of the temple Malachi, the coming messenger: 6: But ...
Ev'ry valley shall be exalted (air for tenor) And the glory of the Lord (anthem chorus) Scene 2: The coming judgment Thus saith the Lord of hosts (accompanied recitative for bass) But who may abide the day of His coming (soprano, alto or bass) And he shall purify the sons of Levi (chorus) Scene 3: The prophecy of Christ's birth
The Hymn of Jesus is scored for two mixed choirs and one women's semi-chorus, with three flutes (one doubling piccolo), two oboes, cor anglais, two clarinets, two bassoons, four horns, two trumpets, three trombones, percussion (one player – snare drum, bass drum, tambourine, cymbals), piano, celeste, organ, and strings.
Ev'ry valley shall be exalted The Air for tenor expands the words "Ev'ry valley shall be exalted", which are frequently heard during Advent (preparing a way for the Lord). The voice illustrates the exaltation by long coloraturas, whereas "plain" is depicted with a long note.
German – "Herr, dein Name sei erhöht" (Lord, Your name be exalted) Portuguese – "O Teu nome exaltarei" (I will exalt your name) Korean – "주의 이름 높이며" (As I Lift Lord's name) Malayalam – "Yeshu naamathe uyarthidam" (Let us lift Jesus' name) Norwegian – "Gud, jeg opphøyer ditt navn" (God, I exalt your name)
Every valley shall be exalted, and every mountain and hill made low; the crooked straight, and the rough places plain. (Isaiah 40:4) [4] In Handel's melody, the word "valley" ends on a low note, "exalted" is a rising figure; "mountain" forms a peak in the melody, and "hill" a smaller one, while "low" is another low note.
Army beats its opponents by grinding them into dust, holding the ball for massive chunks of the game and using opportunistic turnovers and a conservative, ball-control offense to own the tempo.
Godspell is a musical in two acts with music and lyrics by Stephen Schwartz and a book by John-Michael Tebelak. [1] The show is structured as a series of parables, primarily based on the Gospel of Matthew, interspersed with music mostly set to lyrics from traditional hymns, with the passion of Christ appearing briefly near the end.