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The parable seeks to show how opportunity costs, as well as the law of unintended consequences, affect economic activity in ways that are unseen or ignored. The belief that destruction is good for the economy is consequently known as the broken window fallacy or glazier's fallacy.
The Window presents a frightening vision of helplessness, vividly conveying childish frustration at being dismissed or ignored by one's parents. Director and onetime cameraman Tetzlaff adroitly injects a maximum of suspense into the film, enabling the audience to identify with Driscoll's predicament and to view his parents as evil, almost as ...
A member of the French National Assembly, Bastiat developed the economic concept of opportunity cost and introduced the parable of the broken window. [2] He was described as "the most brilliant economic journalist who ever lived" by economic theorist Joseph Schumpeter. [3]
In other words, there remains an opportunity cost to the owner of the window, and to society, even if his (or his insurer's) funds were "trapped" in savings and investment. This criticism of the parable of broken window might make more sense if the owner's funds were hidden under his mattress, or some other allegory denoting a zero opportunity ...
Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes, based on Cornell Woolrich's 1942 short story "It Had to Be Murder". Originally released by Paramount Pictures , the film stars James Stewart , Grace Kelly , Wendell Corey , Thelma Ritter , and Raymond Burr .
When fictional television anchor Howard Beale leaned out of the window, chanting, "I'm mad as hell, and I'm not going to take it anymore!" in the 1976 movie 'Network,' he struck a chord with ...
When the Broad Theater, an independently owned cinema in New Orleans, reopened in April after being shuttered for 13 months, business came back with a bang. Moviegoers, desperate to see a film ...
After a tortured and torturously long journey to the big screen, The Woman in the Window -- 20th Century's adaptation of A.J. Finn's best-selling thriller -- instead lands on Netflix, met with ...
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