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The 1939 New York World's Fair (also known as the 1939–1940 New York World's Fair) was an international exposition at Flushing Meadows–Corona Park in Queens, New York City, United States. The fair included exhibitions, activities, performances, films, art, and food presented by 62 nations, 35 U.S. states and territories, and 1,400 ...
The 1939 New York World's Fair took place at Flushing Meadows–Corona Park in Queens, New York, United States, during 1939 and 1940. The fair included pavilions with exhibits by 62 nations, 34 U.S. states and territories, and over 1,300 corporations. The exhibits were split across seven zones (including an amusement area), and there were also ...
The Trylon and Perisphere were two monumental modernistic structures designed by architects Wallace Harrison and J. Andre Fouilhoux that were together known as the Theme Center of the 1939 New York World's Fair at Flushing Meadows–Corona Park in Queens, New York City, United States. The Perisphere was a tremendous sphere, 180 feet (55 m) in ...
[12] [14] The Futurama exhibition was subsequently presented as one of the 1939 New York World Fair's main attractions, as it was the "number-one hit show". It was considered highly interesting by the public and critics alike, with journalists competing to find adequate words to convey Bel Geddes' "ingenuity", "daring", "showmanship" and "genius".
In 1935, New York City Parks commissioner Robert Moses selected the then-new Flushing Meadows Park in central Queens for the 1939 New York World's Fair. [5] [6] New York City Board of Transportation (BOT) chairman John H. Delaney convened a group of transit officials and engineers in January 1936 to discuss plans for rapid transit to and from the fairground. [7]
Lift Every Voice and Sing at the New York World's Fair. Lift Every Voice and Sing, also known as The Harp, was a plaster sculpture by African-American artist Augusta Savage. It was commissioned for the 1939 New York World's Fair, and displayed in the courtyard of the Pavilion of Contemporary Art during the fair at Flushing Meadow. The sculpture ...
Audience members viewing The Billy Rose Aquacade at the 1939-40 Worlds Fair. Later Aquacade moved to the 1939 New York World's Fair, where it was the most successful production of the fair [2] (Lowe). The Art Deco 11,000 seat amphitheatre at the north end of Meadow Lake was designed by architects Sloan & Robertson.
Time Capsule I was created for the 1939 New York World's Fair and Time Capsule II was created for the 1964 New York World's Fair. The second capsule is placed ten feet north of the first capsule. The capsules are filled with physical objects of that time period of social and scientific interest.
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