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2. Subtitle Edit - Wikipedia

   en.wikipedia.org/wiki/Subtitle_edit

   SE supports 250+ subtitle formats. Some of the most popular ones are SubRip, Timed Text, DFXP (Netflix standards), ITT (iTunes), SubStation Alpha, MicroDVD, SAMI, D-Cinema and BdSub. It uses the VLC media player, MPC-HC, Mpv or DirectShow to play videos. It is available in 34 languages and works on Windows and Linux.

3. Mr. Zoo: The Missing VIP - Wikipedia

   en.wikipedia.org/wiki/Mr._Zoo:_The_Missing_VIP

   Mr. Zoo: The Missing VIP (Korean: 미스터 주: 사라진 VIP; RR: Miseuteo Ju: Sarajin VIP) is a 2020 South Korean comedy-drama film written and directed by Kim Tae-yoon. It stars Lee Sung-min , Kim Seo-hyung , Bae Jung-nam and Shin Ha-kyun and was released on January 22, 2020.

4. Open City (film) - Wikipedia

   en.wikipedia.org/wiki/Open_City_(film)

   Open City was released in South Korea on 10 January 2008, [2] and on its opening weekend was ranked second at the box office with 449,669 admissions. [3] The film sold a total of 1,613,728 admissions nationwide, [4] and as of 24 February 2008 had grossed a total of US$11,095,236.

5. Category:South Korean film editors - Wikipedia

   en.wikipedia.org/wiki/Category:South_Korean_film...

   Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more

6. I Want to Know Your Parents - Wikipedia

   en.wikipedia.org/wiki/I_Want_to_Know_Your_Parents

   I Want to Know Your Parents (Korean: 니 부모 얼굴이 보고 싶다; RR: Ni Bumo Eolguli Bogo Sipda; lit. I Miss Your Parents' Faces) is a 2022 South Korean mystery drama film directed by Kim Ji-hoon and written by Gim Gyung-mi. Based on a Japanese theatrical play Oya no Kao ga Mitai by Seigo Hatasawa, [2] the film stars Sul Kyung-gu, Chun Woo-hee, Moon So-ri, Oh Dal-su and Ko Chang-seok.

7. Method (2017 film) - Wikipedia

   en.wikipedia.org/wiki/Method_(2017_film)

   Yoon Seung-ah slides into the film effortlessly, which a keen eye on the couple and a careful reaction to the situation that piques at a moment in the film that was well-timed by director Pang Eun-jin. [...] I was quite impressed by the way the movie developed after the climax and during the denouement, a point in time when many films flag." [3]