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Falling action is a segment in the structure of a dramatic or literary work. Falling action, analysed as part of a three-act structure; Falling action, ...
The Decisive Point of Action. Something takes place which makes it impossible for the "rising action" to go further. Affairs must take a new direction. The Falling Action, leading from the climax. The Final Lift, something which checks the downward action; a new problem arises. The Catastrophe, or Dénouement. The End, or the result of the ...
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...
The falling action may contain a moment of final suspense: Although the catastrophe must be foreshadowed so as not to appear as a non sequitur, there could be for the doomed hero a prospect of relief, where the final outcome is in doubt. [35] Catastrophe The catastrophe (Katastrophe in the original) [36] is where the hero meets his logical ...
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
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Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Writing a story means weaving all of the elements of fiction together. When it is done right, weaving dialogue, narrative, and action can create a beautiful tapestry. [ 6 ] A scene top-heavy with action can feel unreal because it is likely that characters doing something—anything at all—would be talking during the activity.