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Woman wearing a one-piece bliaut and cloak or mantle, c. 1200, west door of Angers Cathedral.. The bliaut or bliaud is an overgarment that was worn by both sexes from the eleventh to the thirteenth century in Western Europe, featuring voluminous skirts and horizontal puckering or pleating across a snugly fitted under bust abdomen.
The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt".
Examples of men's skirts and skirt-like garments from various cultures include: The fustanella is a full-pleated skirt worn by men in Albania and Greece and other parts of the Balkans. By the mid-20th century, it was relegated to ceremonial use and as period or traditional costume.
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Pano—An ankle-length transparent overskirt worn by both men and women in Egypt between 4,000 BC and 30 BC. [7] Pentes—The term originally applied to a bustle, but was applied in 1886 to a skirt made of pyramidal panels. An overskirt or tunic was worn over the skirt, [8] and draped to expose the underskirt. [9]
The Samoan Lavalava is a wraparound "skirt". These are worn by men, women and children. The women's lavalava pattern usually have either traditional symbols and/or a flower (frangipani) pattern. The men's lavalava have only traditional symbols. A blue lavalava is the official skirt for the police officers uniform of Samoa.
[citation needed] The fit and flare silhouette is linked to Christian Dior's "New LooK" of a cinched waist and full skirt that became popular in the post-war decades. [1] [2] Fit and flare dresses allowed women to show off the hourglass figure that was in vogue in the era. The flattering nature of the silhouette has ensured its popularity into ...
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