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The Oxford Anthology of English Literature: Restoration and Eighteenth Century (London: Oxford University Press, 1973) ISBN 0-19-501614-9 (pbk.) 4,500 pages of Restoration and Augustan literature. Major works like Pope's An Essay on Criticism and Swift's A Tale of a Tub are merely excerpted. Annotated with a bibliography.
Augustan literature is a period of Latin literature written during the reign of Augustus (27 BC–AD 14), the first Roman emperor. [1] In literary histories of the first part of the 20th century and earlier, Augustan literature was regarded along with that of the Late Republic as constituting the Golden Age of Latin literature , a period of ...
In contrast to the Restoration period, the Augustan period showed less literature of controversy. Compared to the extraordinary energy that produced Richard Baxter, George Fox, Gerrard Winstanley, and William Penn, the literature of dissenting religious in the first half of the 18th century was spent.
Most notable were the statues of Augustus in full military outfit in the center of the Forum, and of Mars and Venus in the Temple. In total, there were 108 portrait statues with inscriptions of each individual's achievements, providing an important idea of how Augustus viewed his role within Roman history. [8]
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The phrases renovatio Romanorum ("renewal of the Romans") and renovatio urbis Romae ("renewal of the city of Rome") had been used already during Antiquity. [3] The word renovatio ("renewal") and its relatives, restitutio ("restitution") and reparatio ("restoration"), appeared on some Roman coins from the reign of Hadrian onward, usually signifying the restoration of peace after a rebellion. [4]
The Roman Revolution (1939) is a scholarly study of the final years of the ancient Roman Republic and the creation of the Roman Empire by Caesar Augustus. The book was the work of Sir Ronald Syme (1903–1989), a noted Tacitean scholar, and was published by the Oxford University Press. It was immediately controversial.
His name of Augustus was also more favourable than Romulus, the previous one which he styled for himself in reference to the story of the legendary founder of Rome, which symbolised a second founding of Rome. [120] The title of Romulus was associated too strongly with notions of monarchy and kingship, an image that Octavian tried to avoid. [141]