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The finest jewelry was still mainly centered and focused in the southern city-states such as; Cerveteri, Tarquinia and Vetulonia. Etruscan Bulla with the Greek mythical figures Daedalus and Icarus. Walters Art Museum, Baltimore. Gorgons, pomegranates, acorns, lotus flowers and palms were a clear indicator of Greek influence in Etruscan jewelry.
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
Girdle of Hippolyta, a girdle that was a symbol of Hippolyta's power over the Amazons, and given to her by Ares. Heracles' 9th Labor was to retrieve it. (Greek mythology) Tyet, the ancient Egyptian symbol of the goddess Isis. It seems to be called "the Knot of Isis" because it resembles a knot used to secure the garments that the Egyptian gods ...
The Greeks wore jewelry such as rings, wreaths, diadems, bracelets, armbands, pins, pendants, necklaces, and earrings. [93] Small gold ornaments would be sewn onto their clothing and would glitter as they moved. [3] Common designs on jewelry in ancient Greece included plants, animals and figures from Greek mythology. [4]
Jolly, Penny Howell, "Marked Difference: Earrings and 'The Other' in Fifteenth-Century Flemish Artwork," in Encountering Medieval Textiles and Dress: Objects, Texts, Images, Palgrave Macmillan, 2002, pp. 195–208. ISBN 0-312-29377-1. Mascetti, Daniela and Triossi, Amanda, Earrings: From Antiquity to the Present, Thames and Hudson, 1999.
Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek jewelry and an internationally renowned goldsmith. [1] He is especially known for his collections inspired by Greek history. [2] In 1990 he became the only jeweler ever to be inducted into the Académie des Beaux-Arts. [3] [4]
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