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125 Jazz Breaks for Trombone" was copyrighted in 1927 as Glenn Miller's 125 Jazz Breaks for Trombone by the Melrose Brothers Music Company: The House That Blues Built, 177 North State Street, Chicago, Illinois. The score was published in the UK in London by Herman Darewski Music Pub. Co., in 1941.
Trombone first saw use in the jazz world with its entrance into traditional jazz where it played along with the chord changes, often connecting the seven to third or third to root resolutions of cadences, allowing the other musicians of the group to improvise along with it. In a standard dixie group, the players marched through the streets or ...
1949: Modern Jazz Trombones (Prestige) – B-side of 10 inch album, released 1951. Kai Winding on A-side; 1949: J. J. Johnson with Sonny Stitt (Prestige) – also issued as part of 1951's, 10 inch Modern Jazz Trombones Volume Two. Also reissued in 1957 as part of Sonny Stitt/Bud Powell/J. J. Johnson; 1952: Jazz South Pacific (Regent / Savoy)
Johnson's work in the 1940s and 1950s demonstrated that the slide trombone could be played in the bebop style; as trombonist Steve Turre has summarized, "J. J. did for the trombone what Charlie Parker did for the saxophone. And all of us that are playing today wouldn't be playing the way we're playing if it wasn't for what he did.
GLENN MILLER'S 125 Jazz Breaks for Trombone. $1.00." [2] An ad for the sheet music also appeared in the 1928 Metronome, Volume 44, Page 42. The songbook contained the sheet music for 125 jazz breaks or improvisations for trombone with piano accompaniment in different keys. The Melrose Bros. Music Company was founded by Walter Melrose and Lester ...
Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era – Pee Wee Russell once called him "the best trombone player in the world". [12]
Edward "Kid" Ory (December 25, 1886 – January 23, 1973) [2] was an American jazz composer, trombonist and bandleader.One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz.
For sixty-one years, Turre has been active in jazz, rock, and Latin jazz – in live venues, recording studios, television, and cinema production. [1] [2] He has recorded over 20 albums as a bandleader, and appeared on many more as a contributor or sideman. As a studio musician, Turre is among the most prolific living jazz trombonists in the ...