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A softbox can be used with either flash or continuous light sources such as fluorescent lamps or "hot lights" such as quartz halogen bulbs or tungsten bulbs. If softbox lights are used with "hot" light sources, the photographer must be sure the softbox is heat rated for the wattage of the light to which it is attached in order to avoid fire hazard.
Hard light in a photograph of Nina Sublatti performing at the Eurovision Song Contest. Hard light comes from a single, usually bright, source, which is relatively small compared to the subject. [2] [3] Photographs taken in such lighting have high contrast and sharply defined shadows. [1] The appearance of the shadow depends on the lighting ...
A scrim is a device used in the film and television industries, as well as by photographers, to modify properties of light. There are variations on types of scrim, depending upon its use, whether with natural light, or with man-made light sources. However, their basic use is the same – to reduce intensity and/or harshness of light.
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Light travels through a single lens and a mirror is used to reflect a portion of that light through the viewfinder – hence the name "single-lens reflex". While there are variations among point-and-shoot cameras , the typical design exposes the sensor constantly to the light projected by the lens, allowing the camera's screen to be used as an ...
The use of the gobo is "subtractive", as opposed to using a "reflector" to bounce added light into a shadow (thus "additive" lighting). Use of a gobo subtracts light from a portion of an overall shaded subject and creates a contrast between one side of the subject and the other. [17]
A common artificial lighting strategy that creates an overall appearance similar to natural fill places the fill light on the lens axis so that it will appear to cast few if any shadows from the point of view of the camera, which allows the key light that overlaps it to create the illusion of 3D in a 2D photo with the same single-source ...
When the shutter is released, the mirror moves out of the light path, and the light shines directly onto the film (or in the case of a DSLR, the CCD or CMOS imaging sensor). Exceptions to the moving mirror system include the Canon Pellix and Sony SLT cameras , along with several special-purpose high-speed cameras (such as the Canon EOS-1N RS ...
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