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[11] [17] With the advent of the radio broadcasting, sheet music sales of popular songs decreased and print figures failed to make a significant recovery after the World War II (1940s). [11] Exact figures are lacking, but in the 1950s, sheet music sales averaged 300,000 annually. [18]
Dexter Smith was hired to be the first editor; Smith was a Boston poet, lyricist, and critic who also published his own magazine from 1872 to 1877. [1] In addition to poetry, fiction, and news items related to the music industry, each issue of Folio included 16 pages of sheet music. Its chief objective was the promotion of its publisher, and ...
Carl Fischer Music is a sheet music publisher. It was founded in 1872 in the East Village neighborhood of New York City as a musical instrument repair shop. Except for a brief period in the early 1930s, it has always been the family-owned business of the Fischer-Connor family.
Banner's role, which provided the comedy relief in 36 Hours, was the role model for his easy-going German soldier POW camp guard Sgt. Hans Schultz in the television series Hogan's Heroes (1965–71). Coincidentally, Sig Ruman played a similar POW camp guard named Sgt. Schultz in the William Holden feature film Stalag 17 (1953).
John Knowles Paine. John Knowles Paine (January 9, 1839 – April 25, 1906) was the first American-born composer to achieve fame for large-scale orchestral music. The senior member of a group of composers collectively known as the Boston Six, Paine was one of those responsible for the first significant body of concert music by composers from the United States.
“Three Hours To Change Your Life” an excerpt of the book Your Best Year Yet! by Jinny S. Ditzler This document is a 35-page excerpt, including the Welcome chapter of the book and Part 1: The Principles of Best Year Yet – three hours to change your life First published by HarperCollins in 1994 and by Warner Books in 1998
Richard M. Dyer (December 29, 1941 – September 20, 2024) was an American music critic who specialized in classical music. [1] Described by the music critic Alex Ross as "a dean of the profession", from 1976 to 2006 he was the chief classical music critic of The Boston Globe.
Irving Fine described the music of Stravinsky and his followers as "diatonic and tonal or quasi-modal", pandiatonic, and concerned with chord spacing and rhythm. [ 2 ] See also
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