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Roadie tuners are automatic stringed instrument tuners created and developed by the music-tech startup, Band Industries, Inc. [1] [2] Roadie 3, the last iteration in the Roadie tuner family is compatible with stringed instruments that have a guitar machine head including electric, acoustic, classical and steel guitars, 6-7-12 string guitars, ukuleles, mandolins and banjos. [3]
Included in the retail box are an SD card, desk stand, handle for putting the H2 in a microphone stand, wind screen, 3.5mm TRS to RCA cable, earbud headphones, USB cable and power adapter. The H2's microphones, functionality, and use of standard USB and SD interfaces make it suitable both for recording high-quality sound and in many speech ...
Martin EB18 bass guitar headstock, showing Martin open-type machine heads. The reverse of the machine heads on a "folk" steel-string acoustic guitar. Note the enclosed gears. On some guitars, such as those with Floyd Rose bridge, string tuning may be also conducted using microtuning tuners incorporated into the guitar bridge.
The strobe tuner detects the pitch from either a TRS input jack or a built-in or external microphone connected to the tuner. The first strobe tuner dates back to 1936 and was originally made by the Conn company; it was called the Stroboconn and was produced for approximately 40 years. However, these strobes are now mainly collector pieces.
Korg TM-50C – Combo – Tuner Metronome plus a contact microphone; Korg pitchblack – Polyphonic tuner; Korg CM-200 – Contact microphone designed especially for tuners; Korg HeadTune – Clip on tuner for Guitar / Clip on tuner for Bass / Clip on tuner for Ukulele; Korg M01D – Music program for Nintendo 3DS [65] Korg PA900 – Arranger.
Auto-Tune is audio processor software released on September 19, 1997, by the American company Antares Audio Technologies. [1] [4] It uses a proprietary device to measure and correct pitch in music. [5]
A popular and unfortunate misconception is that Ambisonic recordings can only be made with the SFM, and as a result there is a widespread, and erroneous, belief that Ambisonics can only be used to capture a live acoustic event (something that accounts for a tiny proportion of modern commercial recordings, the vast majority of which are built up in the studio and mixed from multitrack).
Aircraft designers are also using acoustic instrumentation to reduce the noise generated on takeoff and landing. Acoustical measurements and instrumentation range from a handheld sound level meter to a 1000-microphone phased array.
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