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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
In jazz, blues and R&B, riffs are often used as the starting point for longer compositions. Count Basie's band used many riffs in the 1930's, like in "Jumping at the Woodside" and "One O Clock Jump". Charlie Parker used riffs on "Now's the Time" and "Buzzy". Oscar Pettiford's tune "Blues in the Closet" is a rifftune and so is Duke Ellington's ...
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
Perhaps the most famous blues musician of all time, B.B. King (1925-2015) breathed new life into the genre with an expressive vocal style and poignant guitar work. King shows off these talents on ...
In 1951, Elmore James recorded the song as "Dust My Broom" and "made it the classic as we know it", according to blues historian Gerard Herzhaft. [1] James' slide guitar adaptation of Johnson's triplet figure has been identified as one of the most famous blues guitar riffs and has inspired many rock performers.
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
List of top 20 'greatest guitar riffs ever' Nancy Lynch. Updated July 14, 2016 at 7:17 PM.
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later electric guitar blues players.