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The Jinapanjara (Pali: jinapañjara; Thai: ชินบัญชร, Chinabanchon), sometimes known in English as "The Cage of the Conqueror", is a post-canonical Buddhist Paritta chant. It is the most popular paritta (protective text) in Thailand. [1] It has existed since the end of the nineteenth century, from the time of the reign of Rama II.
The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
[39] [5] The dharani-genre of Buddhist literature includes mantra, states Étienne Lamotte, but they were also a "memory aid" to memorize and chant Buddha's teachings. This practice was linked to concentration ( samadhi ) and believed to have magical virtues and a means to both spiritual and material karma -related merit making. [ 40 ]
In Buddhism, chanting is a traditional Buddhist devotional practice, as well as a means of enhancing and preparing the mind for silent meditation. [9] It is a common part of formal group practice (in either a lay or monastic context). Some forms of Buddhism also use chanting for ritualistic, apotropaic or other magical purposes.
The traditional Chinese Buddhist liturgy for morning chanting (simplified Chinese: 早课; traditional Chinese: 早課), evening chanting (simplified Chinese: 晚课; traditional Chinese: 晚課), and regularly scheduled Dharma services (simplified Chinese: 共修法会; traditional Chinese: 共修法會) in the Chan and Pure Land schools combine mantras, recitation of the Buddha's name and ...
While studying the Buddhist Philosophy and Sacred Chant, Lama Tashi was selected by the Drepung Loseling Monastery to be on "Sacred Music and Sacred Dance for Planetary Healing" and "The Mystical of Tibet Tour" in U.S.A., Canada, Mexico and many other countries where he has shared stage with many well known artists like Michael Stipe of R.E.M, Sheryl Crow, Patti Smith, Philips Glass, Gilberto ...
Aaron Proffit explains the benefits of the long version of the dharani according to the tradition of Chinese Esoteric Buddhism as follows: [4] Chanting this dhāraṇī one thousand times is said to purify all past karma, bestow rebirth in the highest level of Sukhāvatī, and produce visions of Sukhāvatī, Amitāyus Buddha, and assemblies of ...
Namu is used in Buddhism as a prefix expressing taking refuge in a Buddha or similar object of veneration. Among varying Nichiren sects, the phonetic use of Nam versus Namu is a linguistic but not a dogmatic issue, [15] due to common contractions and u is devoiced in many varieties of Japanese words. [16]