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The word dhāraṇī derives from a Sanskrit root √dhṛ meaning "to hold or maintain". [3] [30] This root is likely derived from the historical Vedic religion of ancient India, where chants and melodious sounds were believed to have innate spiritual and healing powers even if the sound cannot be translated and has no meaning (as in a music).
The canonical Buddhist Vinayas (monastic codes) generally reject the use of musical chanting and singing for reciting the Buddhist scriptures, since it was seen as a sensuous distraction. [15] They are prohibit monks and nuns from listening to or performing music since it is connected with sensual pleasure.
The Jinapanjara (Pali: jinapañjara; Thai: ชินบัญชร, Chinabanchon), sometimes known in English as "The Cage of the Conqueror", is a post-canonical Buddhist Paritta chant. It is the most popular paritta (protective text) in Thailand. [1] It has existed since the end of the nineteenth century, from the time of the reign of Rama II.
Buddhist liturgy is a formalized service of veneration and worship performed within a Buddhist Sangha community in nearly every traditional denomination and sect in the Buddhist world. It is often done one or more times a day and can vary amongst the Theravada , Mahayana , and Vajrayana sects.
The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
While studying the Buddhist Philosophy and Sacred Chant, Lama Tashi was selected by the Drepung Loseling Monastery to be on "Sacred Music and Sacred Dance for Planetary Healing" and "The Mystical of Tibet Tour" in U.S.A., Canada, Mexico and many other countries where he has shared stage with many well known artists like Michael Stipe of R.E.M, Sheryl Crow, Patti Smith, Philips Glass, Gilberto ...
In the throat singing prevalent amongst the Buddhist monks of Tibet and Mongolia, [13] the long and slow outbreath during chanting is the core of the practice. The sound of the chant also serves to focus the mind in one-pointed concentration , while the sense of self dissolves as awareness becomes absorbed into a realm of pure sound.
The kaihōgyō (回峰行, circling the mountain) is an ascetic practice performed by Tendai Buddhist monks. [ 1 ] [ 2 ] [ 3 ] The practice involves repeatedly walking a route on Mount Hiei , the location of the Tendai school headquarters , all the while offering prayers at halls, shrines and other sacred places.