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An architectural term applied to a colonnade, in which the intercolumniation is alternately wide and narrow. Arcade A passage or walkway covered over by a succession of arches or vaults supported by columns. Blind arcade or arcading: the same applied to the wall surface. Arch
In Classical architecture and in art a term or terminal figure (pl.: terms or termini) is a human head and bust that continues down as a square tapering pillar-like form. It is usually distinguished from a herm , which has a head and shoulders only, [ 1 ] but the two words may be used rather loosely and interchangeably.
Advances in the study of Architectural (formal) morphology have the potential to influence or foster new fields of study in the realms of the arts, cognitive science, psychology, behavioral science, neurology, mapping, linguistics, and other as yet unknown cultural spatial practices or studies based upon social and environmental knowledge games ...
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Space and mass in architecture are not entirely separable: as was noted by George Berkeley in 1709, two-dimensional human vision cannot fully comprehend three-dimensional forms, so the perception of the space is a result of immediate visual sensation and the knowledge of textures pre-acquired through touching (this idea evolved in the 19th ...
An illustration of the primitive hut by Charles Dominique Eisen was the frontispiece for the second edition of Laugier's Essay on Architecture (1755). The frontispiece was arguably one of the most famous images in the history of architecture; it helped to make the essay more accessible and consequently it was more widely received by the public.
Architecture is variously defined in conflicting ways, highlighting the difficulty of describing the scope of the subject precisely: [1] [2] [3] A general term to describe buildings and other physical structures – although not all buildings are generally considered to be architecture, and infrastructure (bridges, roads etc.) is civil engineering, not architecture.
It is the human body that emanates the structural qualities of architecture. Drawing from Vitruvius’ discussion of architecture, a number of twentieth-century architects have adopted a phenomenological interpretation of their work, to understand architecture’s primary concern as the body in space.