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Ahmad Faraz is included in the long list of revolutionary poets of Urdu language and is "acclaimed as one of the most influential modern Urdu poets of the last century." [ 2 ] [ 9 ] [ 5 ] "This felicity with words is evident in much of Faraz's work, as is an economy of expression, along with an ability to wrap layers of meaning into brief lines ...
Sindhi folklore (Sindhi: لوڪ ادب) is composed of folk traditions which have developed in Sindh over many centuries.Sindh thus possesses a wealth of folklore, including such well-known components as the traditional Watayo Faqir tales, the legend of Moriro, the epic tale of Dodo Chanesar and material relating to the hero Marui, imbuing it with its own distinctive local colour or flavour in ...
Book cover of Tales of the Punjab by Flora Annie Steel. Academic folkloristic research into and the collecting of the large corpus of Punjabi folktales began during the colonial-era by Britishers, such as Flora Annie Steel's three papers on her studies of local Punjabi folktales (1880), with a translation of three fables into English, [2] Richard Carnac Temple's The Legends of the Punjab (1884 ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Tilla Jogian, where Ranjha came. Heer Ranjha [a] (Punjabi: [ɦiɾ ɾaːnd͡ʒ(ʱ)aː]) is a traditional Punjabi folk tragedy with many historic poetic narrations; [1] with the first one penned by Damodar Gulati in 1600s, on the preexisting oral legend; and the most famous one, Heer, written by Waris Shah in 1766, in the form of an epic.
Shah Hussain, a contemporary Sufi poet who wrote of him, recorded his last words as being "No honourable son of Punjab will ever sell the soil of Punjab". [18] [19] A fragments of the vars (medieval poetry put to music) concerning Dulla Bhatti have survived to the present day. [20] and dhadi Performances recounting his exploits have become less ...
The temples derive their holiness from the legend that following the death of his wife Sati, the Hindu god Shiva wandered inconsolably, while some of his tears collected in two ponds, one of which is the pond around which the Katas Raj Temples are set, [4] [3] while the other is at Pushkar, near the famous Sufi pilgrimage center of Ajmer.
[2] [3] The Brothers Grimm defined legend as "folktale historically grounded". [4] A by-product of the "concern with human beings" is the long list of legendary creatures, leaving no "resolute doubt" that legends are "historically grounded." A modern folklorist's professional definition of legend was proposed by Timothy R. Tangherlini in 1990: [5]