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Oxford shoe. An Oxford shoe is characterized by shoelace eyelets tabs that are attached under the vamp, [1] a feature termed "closed lacing". [2] This contrasts with Derbys, or bluchers, which have shoelace eyelets attached to the top of the vamp. [3] Originally, Oxfords were plain, formal shoes, made of leather, but they evolved into a range ...
Slip-ons are typically low, lace-less shoes. [1] The style which is most commonly seen, known as a loafer, slippers, or penny loafers in American culture, has a moccasin construction. One of the first designs was introduced in London by Wildsmith Shoes, called the Wildsmith Loafer. [2] They began as casual shoes, but have increased in ...
Dress shoe. Dress shoes on a woman (left) and a man. (right) A dress shoe (U.S. English) is a shoe to be worn at smart casual or more formal events. A dress shoe is typically contrasted to an athletic shoe. Dress shoes are worn by many as their standard daily shoes, and are widely used in dance, for parties, and for special occasions.
Brogue shoe. Pair of full brogue shoes. The brogue (derived from the Gaeilge bróg (Irish), and the Gaelic bròg (Scottish) for "shoe") [1][2] is a style of low-heeled shoe or boot traditionally characterised by multiple-piece, sturdy leather uppers with decorative perforations (or "broguing") and serration along the pieces' visible edges. [3]
Honiton lace is a part lace.Its ornate motifs and complex patterns are created separately, before being sewn into a net ground. [1] Common motifs include daisies, roses, shamrocks, ivy leaves, butterflies, lilies, camellias, convolvulus, poppies, briony, antwerp diamonds, trefoils, ferns, and acorns.
Men's Oxford full brogue spectator shoes, c. 1930 The spectator shoe, also known as co-respondent shoe, is a style of low-heeled, oxford, semi-brogue or full brogue constructed from two contrasting colours, typically having the toe and heel cap and sometimes the lace panels in a darker colour than the main body of the shoe.
Introduction of the first Helmut Lang Men's collection. Women and Men's collections are shown together on the Paris fashion calendar. Men's silhouette marked the return of the narrow and tailored suit shown with the white shirt, black tie, and made-to-measure shoes. 1988: Rejects the structure of the traditional fashion show.
The lace, worn by the wealthiest women across Europe, was made by some of the poorest women in Ireland. Lace was a luxury commodity, used to decorate elaborate wedding dresses, christening robes, and church vestments; it played a vital part in saving many families from starvation and destitution. Irish lace reflects the social and political ...
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