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Dracula is an adaptation, first published in 1996, by American playwright Steven Dietz of Bram Stoker's 1897 novel by the same name. [1] Though it has never run on Broadway, the author lists it among his most financially successful works, and it is frequently performed near Halloween in regional and community theaters. [2]
Dracula is a stage play written by the Irish actor and playwright Hamilton Deane in 1924, then revised by the American writer John L. Balderston in 1927. It was the first authorized adaptation of Bram Stoker 's 1897 novel Dracula .
John L. Balderston. John L. Balderston (October 22, 1889 – March 8, 1954) was an American playwright and screenwriter best remembered for his horror and fantasy scripts. He wrote the 1926 play Berkeley Square and the 1927 American adaptation of the 1924 play Dracula.
In 1924 play Dracula by Hamilton Deane Van Helsing is portrayed as the arch-nemesis of Dracula. Deane himself played the role in British productions of the play. In 1927 the play was brought to Broadway by producer Horace Liveright, who hired John L. Balderston to revise the script for American audiences.
Dracula is a 1979 gothic horror film directed by John Badham. The film starred Frank Langella in the title role as well as Laurence Olivier , Donald Pleasence and Kate Nelligan . The film was based on Bram Stoker 's 1897 novel Dracula and its 1924 stage adaptation , though much of Stoker's original plot was revised to make the film more ...
Dracula, the Musical is a musical based on the original 1897 Victorian novel by Bram Stoker. The score is by Frank Wildhorn , with lyrics and book by Don Black and Christopher Hampton . The show had its regional premiere at the La Jolla Playhouse , La Jolla, California, in 2001, playing to 115% capacity, earning the highest paid capacity for ...
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For its US debut, Dracula was rewritten by the American playwright John L. Balderston. The show ran for a year on Broadway and for two more years on tour, breaking all previous records for any show put on tour in the United States. [4] It is the Deane/Balderston interpretation upon which the classic Tod Browning film Dracula (1931) was based. [1]