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A sculptural pairing of the tyrannicides Harmodius and Aristogeiton (Ancient Greek: Ἁρμόδιος καὶ Ἀριστογείτων, romanized: Harmodios, Aristogeitōn) was well known in the ancient world in two major versions but survives only in Roman marble copies.
Statue of Harmodius and Aristogeiton, Naples.Roman copy of the Athenian version by Kritios and Nesiotes (see below) Harmodius (Greek: Ἁρμόδιος, Harmódios) and Aristogeiton (Ἀριστογείτων, Aristogeíton; both died 514 BC) were two lovers in Classical Athens who became known as the Tyrannicides (τυραννόκτονοι, tyrannoktonoi) for their assassination of ...
Roman copy of Kritios' Tyrannicides (Archaeological Museum, Naples). Kritios (Ancient Greek: Κριτίος, / k r ɪ ˈ t iː ə s /) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teacher ...
Antenor (Ancient Greek: Ἀντήνωρ, Antḗnōr; fl. c. 540 – c. 500 BC) [1] was an Athenian sculptor.He is recorded as the creator of the joint statues of the tyrannicides Harmodius and Aristogeiton funded by the Athenians on the expulsion of Hippias.
Archaic Greek sculpture represents the first stages of the formation of a sculptural tradition that became one of the most significant in the entire history of Western art. The Archaic period of ancient Greece is poorly delimited, and there is great controversy among scholars on the subject.
The Charioteer of Delphi, also known as Heniokhos (Greek: Ἡνίοχος, the rein-holder), is a statue surviving from Ancient Greece, and an example of ancient bronze sculpture. The life-size (1.8m) [1] statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi. [2] It is now in the Delphi Archaeological Museum.
Aristodemus the Good, c. 262-252 BC (assassinated by the "philosopher tyrannicides" Ecdemus and Damophanes) Lydiadas, c. 245-235 BC (joined the Achaean League)
From at least the 5th century BC, the Altar became the zero point from which distances to Athens were calculated. [11] A milestone, c. 400 BC, found near the gate to the Acropolis reads: "The city set me up, a truthful monument to show all mortals the measure of their journeying: the distance to the altar of the twelve gods from the harbor is forty-five stades". [12]