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Frescos depicting this scene have appeared in Roman Catholic Marian churches for centuries, and it has been a topic addressed by many artists in multiple media, ranging from stained glass to mosaic, to relief, to sculpture to oil painting. [4]
In painting, the Life was often shown on one side of a church, paired with Old Testament scenes on the other, the latter usually chosen for pre-figuring the New Testament scene according to the theory of typology.
The Problem We All Live With is a 1964 painting by Norman Rockwell that is considered an iconic image of the Civil Rights Movement in the United States. [2] It depicts Ruby Bridges, a six-year-old African-American girl, on her way to William Frantz Elementary School, an all-white public school, on November 14, 1960, during the New Orleans school desegregation crisis.
Manichaean Painting of the Buddha Jesus; The Marble Steps Leading to the Church of Santa Maria in Aracoeli in Rome; The Martyrdom of Saint Bartholomew (Ribera, 1644) The Martyrdom of Saint Matthew (Caravaggio) The Martyrdom of Saint Ursula (Caravaggio) Martyrdom of the Ten Thousand; The Mass at Bolsena; Miracle of the Relic of the Cross at the ...
Virgin and Child. Wall painting from the early catacombs, Rome, 4th century. In the 4th century, the Edict of Milan allowed public Christian worship and led to the development of a monumental Christian art. Christians were able to build edifices for worship larger and more handsome than the furtive meeting places they had been using.
The winter scene depicts the 17th-century Puritan settlers of New England, later identified specifically as the Pilgrim Fathers, as a small armed group of somberly clad, God-fearing souls making their way from right to left through a snowy, recently cleared wood to a house of worship (a small building visible in the left background).
Freedom of Worship or Freedom to Worship is the second of the Four Freedoms oil paintings produced by the American artist Norman Rockwell.The series was based on the goals known as the Four Freedoms enunciated by Franklin D. Roosevelt, president of the United States from 1933 to 1945, in his State of the Union Address delivered on January 6, 1941.
The Adoration of the Magi is a panel painting by Albrecht Dürer (1471-1528), produced under commission by Frederick the Wise for the altar of the Schlosskirche in Wittenberg. It is considered one of Dürer's best and most important works from the period between his first and second trips to Italy (1494-5 and 1505).