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Roman pool (with associated modern superstructure) at Bath, England.The pool and Roman ruins may be the subject of the poem. "The Ruin of the Empire", or simply "The Ruin", is an elegy in Old English, written by an unknown author probably in the 8th or 9th century, and published in the 10th century in the Exeter Book, a large collection of poems and riddles. [1]
Nothing gold can ever stay gold forever. In The Outsiders (novel) by S.E. Hinton Johnny writes in a letter to Ponyboy that Frost meant that gold was like childhood. This is why his dying word to Pony are "Stay gold". Johnny means that he should keep the joy of childhood inside him and never let it go. The poem is simply based on nature.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Walt Whitman, aged 37, steel engraving by Samuel Hollyer "Pioneers!O Pioneers!" is a poem by the American poet Walt Whitman.It was first published in Drum-Taps in 1865. The poem was written as a tribute to Whitman's fervor for the great Westward expansion in the United States that led to things like the California Gold Rush and exploration of the far west.
John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...
The poem emphasizes that sometimes gold is hidden or mistaken for something else, as opposed to gaudy facades being mistaken for real gold. Strider, secretly the rightful king of Gondor, appears to be a mere Ranger. Both Tolkien's phrase and the original ask the reader to look beneath the skin, rather than judging on outward appearance. [14]
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
In the poem, the narrator admires the bird as it hovers in the air, suggesting that it controls the wind as a man may control a horse. The bird then suddenly swoops downwards and "rebuffed the big wind". The bird can be viewed as a metaphor for Christ or of divine epiphany. Hopkins called "The Windhover" "the best thing [he] ever wrote". [2]