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Dürer was highly conscious of his self-image, and painted two earlier self-portraits: one in 1493 now in the Musée du Louvre, and another in 1498, now in the Museo del Prado. He also inserted self-portraits in other paintings, and made self-portrait drawings, although, he did not portray himself in any of his prints. [ 15 ]
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Self-Portrait (Dürer, Munich) Self-portrait (Hans Holbein the Younger) Self-Portrait (Sofonisba Anguissola) Self-Portrait (Giovanni Bellini) Self-portrait (Raphael) Self-Portrait (Rubens, Antwerp) Self-Portrait (Turner) Self-Portrait as a Female Martyr; Self-Portrait as a Lute Player; Self-Portrait as a Tahitian; Self-Portrait as Saint ...
Alte Pinakothek (Self-Portrait) is a color photograph by German photographer Thomas Struth, from 2000.It depicts the Self-Portrait by German Renaissance painter Albrecht Dürer in the wall where it hangs in the Alte Pinakothek, in Munich, Germany, while it is being observed by a viewer, which is the photographer himself.
English: Dürer painted himself half-length and slightly turned, beside a window that opens onto a mountainous landscape. Dürer painted himself with an open black and white doublet with a striped cap, an undershirt trimmed with gold and a silk cord of blue and white threads holding up a grey-brown cloak that falls over his right shoulder and grey kidskin gloves.
Portrait of a Young Woman with Her Hair Done Up (formerly believed to be a Fürleger) 1497 —c [18] Watercolor on canvas (Tüchlein) 56.5 × 43.1: Berlin, Gemäldegalerie : 46 Portrait of a Man: 1497/98 — Color on parchment on panel (oakwood) 25.7 × 20.5: Kreuzlingen (Switzerland), Heinz Kisters Collection (no website) 47 Portrait of Dürer ...
Self-portraits by Albrecht Dürer (15-16th-centuries). Pages in category "Self-portraits by Albrecht Dürer" The following 4 pages are in this category, out of 4 total.
Painted in 1493, it is the earliest of Dürer's painted self-portraits and has been identified as one of the first self-portraits painted by a Northern artist. [1] It was acquired in 1922 by the Louvre in Paris. [2] Dürer looks out at the viewer with a psychologically complex but rather melancholy and reserved, serious minded, facial expression.